She asks why he wanders among the midnight corridors. He answers that sleep eludes him.
After a short little back and forth, Juliana openly asks Prospero to join his cult of Satanists. Prospero says something about women and wonders aloud if Francesca will ask the same thing. Juliana seems annoyed.
Francesca wakes in the middle of the night and hears Prospero chanting (Latin?) phrases. There's this really creepy, atmospheric scene with Francesca holding a candle, then she screams and drops the candle when she sees blood on her night-table. This blood spatter is never fully explained - but it can be assumed it is part of the horrific, Satanic ritual that Prospero and whiny-brat Juliana are going through.
After a while, Francesca enters the Black Room. She walks in front of Juliana, who has her eyes wide open but does not appear to see Francesca - she is in a trance. Prospero is on the floor in a corpse's position. His eyes are closed - Francesca goes up to him -
- and, as everyone expected, they open up wide. Sheesh, everyone saw that coming! Francesca runs screaming, out of the room, and bumps into Alfredo wearing a demon mask.
As much sense as that didn't make, it happens! Really! Watch the movie! It just doesn't make sense. WHERE are these people coming from? It confuses me! Why would a random guy be in the hallway at that unholy hour? Why is he wearing a freakin' demon mask?!? Look, I - I just can't -
The next day, Prospero takes Francesca to the courtyard and sends his falcon to kill a bird (which it does). He now fully reveals his Satanic worship to the audience, as up to this point it has only been implied (although the previous scene might have convinced you already). He then sees a man named Scarlatti (portrayed by Paul Whitsun-Jones). He asks for admittance into the castle, and then begs for it when he is told that the Red Death has ravaged the land. He then offers up his wife to Prospero, saying he can have her. Prospero snidely comments to Francesca that Scarlatti considered himself good in many things, particularly in his faithfulness. Scarlatti begs again, continuing to offer up his wife, and Prospero laughingly replies that he has already had that pleasure. Scarlatti just got hit in the heart (like the arrow that just did). Yes, Prospero shoots and kills Scarlatti with bow-and-crossbow. He then tells the wife to 'git!
I gotta admit, point Prospero. Scarlatti says he and his wife are very faithful to each other, certain of it, while Prospero is...kissing and cuddling with his wife behind his back. Heh. Dramatic irony.
Down in the cellar/dungeon, Gino and Ludovico are being taught swordplay, as Prospero wants them to have a duel to the death for the castle's entertainment. Gino refuses to fight his friend, so the guard cuts him a bit, forcing Gino to fight back with his sword.
Prospero comes to check on the progress, and, to his (and the audience's) surprise, he is actually befuddled by Gino. Gino says the two will not fight, and that Prospero would not give them up to mere torture because then Prospero would've lost in a weird kind of way. The devilishly clever price starts devising a plan...
The next couple of scenes are Prospero kind of trying to seduce Francesca into his cult and into his bed. Juliana basically engages herself to Satan when she brands an upside down cross on her breast.
Okay,
wait a freakin' minute. I know theistic Satanists like to reverse elements of Christianity (like how the Mass became the Black Mass), but wasn't Saint Peter crucified upside-down because he felt unworthy to be crucified like Jesus? If anything, an upside-down cross is a sign of being unworthy in the face of Jesus and the
LORD. Yeah. God, if Richard Matheson (earlier Poe films,
The Twilight Zone) had scripted this one this movie would've been so much better.
Sorry. As a Christian I get uncomfortable around movies involving people who have a religion based on Satan and I get worse when I sense inaccuracy. Saint Peter was crucified upside-down, but the upside-down cross is a symbol of Satan?
Then again, Charles Beaumont and Robert Campbell probably don't vigorously study and read the Bible very vigorously or studied Christianity a bit. And I KNOW they didn't look into Satanism (WHICH I HAVE NOT EITHER!).
Juliana enters Francesca's room and gives her the key to Gino and Ludovico's cell. Francesca is completely shocked and appalled at Juliana's engagement to the Devil (as any sane person should be). But she shuts up. What are you gonna do? Tell your grilfrenemy that she can't marry the guy 'cause he's crazy and evil and damned and lives in Hell? Yeah. And anyway, she was given the key to escape with Gino and Ludovico. She's got more important stuff to worry about. Francesca thinks that it is better to face the Red Death than Prince Prospero and Satan. Which, in most respects, in right.
Francesca gets Gino and Ludovico. As they are running through the terrifying cellars, Prospero's guards find them. Gino and Ludovico quickly kill them with their swords used for fencing (ironic, isn't it?). As they get out onto the battlements, they see a guard...
...who is revealed to be Prospero.
I'm not going to go on about the ridiculousness of this. Why would Prospero be
there, wearing a guard's suit, with his face back to the dungeon exit? I don't know. Ask Roger Corman or the screenwriters. But there is some good dialogue here:
Francesca: Juliana betrayed us!
Prospero: She betrayed
me.
Meanwhile, Hop-Toad is talking to Alfredo. He says how Alfredo should dress up like a great, hairy ape/orangutan. After Hop-Toad notes how much fun this would be, and how much fright it was occasion among women of the court, the weird,
interested-in-latter-statement Alfredo agrees. Hop-Toad will design the costume.
About several hours before the masque, a feast is thrown. There, Prospero states that he will convert all of the present to Satanists while he sticks about seven daggers in the table. This direction - the stabbing of the table - is really effective and creepy. There is no music, just the wonderfully eerie acting of Vincent Price, who is smiling casually as he does this. Gino and Ludovico enter at Prospero's command.
Shoot! I forget this part! Well, I'll just have to go on Wikipedia and find out, I am NOT watching
The Masque of the Red Death for a while.
Wikipedia says:
Prospero summons Gino and Ludovico. As they refuse to fight each other, he instead has them each choose daggers to cut themselves with. One of the daggers is coated with poison, and, upon choosing the last dagger (which by process of elimination is revealed to be the poisoned one) Ludovico attempts to stab Prospero with it, but Prospero runs him through the heart with his sword.
This is from Wikipedia. I own nothing.
Prospero is about to kill Gino, but Francesca says she will join his cult if he is spared. Gino is cast out of the castle to be consumed by the plague. Juliana, dropping a rose, tells her prince that she is ready.
Outside of the castle, Gino is running through the foggy wood when the Figure in Red from the start of the film calls him over. He asks about the castle, and Gino talks about Prospero's sadistic horrors and games. The Figure in Red gives him a tarot card which represents Mankind. He also says that love can be used as a weapon against Prospero.
Gino meets about seven villagers carrying a plague-cart to Prospero's castle. They say that anything is better than the Red Death and they are going to beg Prospero for mercy, EVEN if it is begging at the castle of the Devil himself.
When they arrive (Gino staying behind, of course), Prospero orders the guards to crossbow 'em! But one young girl is not. Prospero leaves her alone, probably thinking something along the lines of "Eh. Why kill her? She'll die of the Red Death anyways."
Juliana completes her marriage to Satan when she goes into a trance, having a psychedelic dream sequence (a Corman-Poe tradition) where shrouded and masked figures take her through an aquatic-green hall and stab at her on a table. These figures are wearing strange, grotesque masks. They kinda look like traditional voodoo masks. Anyway, this sequence is creepy.
Juliana (Hazel Court) runs through her distorted dreamscape.
A Satanic dream ghost reaps at Juliana with a scythe.
When she wakes, she runs into the main chamber, where Prospero is waiting. She yells that she has married Satan, and -
- from a scene right out of The Birds, a crow flies in from Heaven (or Hell) knows where and attacks/kills Juliana. Her body is mainly inttact, except for her breast, where the crow pretty much tore out her heart. Prospero says not to mourn, as she has just married his best bud. The rapidly approaching masque is prepared for.
Hop-Toad, dressed as an ape trainer, talks to Esmeralda. He carefully instructs her to not come to the masque, and that they shall be free that night.
Hop-Toad (Skip Martin) wearing his ape-trainer guise
Here we go. All those sickos are wearing costumes are dancing with each other, and the 15th century masque from Hell is on. Prospero is with Francesca, who has resigned herself to him. Her initiation will begin probably at midnight the next day. It is then midnight on the masque.
Alfredo enters with his ape costume, but it doesn't really have the intended shock effect on the crowd (they just laugh and stuff. In the meantime, Hop-Toad is inconspicuously lowering the chandelier until Alfredo will knock into it if he stands up. But he isn't standing up, forcing himself on a woman. DISGUSTING SICKO.
I gotta say, I really hate Alfredo. That is the intended effect, I believe, but he seems really sick, even sicker than the rest of the company. I mean, Prospero is pretty sick, but he's malevolently evil. But Alfredo is just a crazy weirdo. I would use another term, but I feel that I wanna keep this blog clean-mouthed. Hell is not what is loosely termed a "bad word" unless it is used in a bad expression.
Anyway, Hop-Toad humiliates Alfredo, who promises Hop-Toad agony and torture. Hop-Toad snidely comments that he has tortured him enough with the abuse of Esmeralda, and continues to whip and humiliate the guy. FINALLY! Alfredo has gotten what has been coming to him along time. Praise the Lord! Raise them dirty hands and give up some pray, yeah! Oh, Lawdy!
Ah. I love Gospel.
Oh, and then Hop-Toad sets Alfredo on fire, scalding him and burning him beyond degree. And it is already pretty hot in the flammable ape costume.
I feel no pity.
Hop-Toad makes off, to the disappointment of Prospero, who wants to reward Hop-Toad for his "entertainment." And, I gotta say, I don't disagree with Prospero. I really hated Alfredo.
The mess is cleaned up. Two bodies in one night. That Prospero knows how to throw a party!
Francesca (Jane Asher) and Prospero (Vincent Price) at the masque.
Outside, Gino runs up to the battlements, hoping to re-enter the castle and save Francesca. He is very noble, you have to admit. He has every right to leave that monstrous castle and make for greener pastures. But he doesn't. Outside the door, he is greeted by the Figure in Red, who, with a wave of his hand, kills a guard...of the Red Death. He tells Gino to wait outside and Francesca will come. Gino turns to look at the guard's corpse, with a bloodied face. But when he turns back, the Figure in Red is gone.
In the masque, Prospero throws gold down upon the maskers. He comments to Francesca how greedy these people are, and they walk down the grand staircase to the other side of the ballroom. There are several shots of the insane revelry. This really is a big party. These people are living like kings. They are running around and dancing and rolling and yelling and all that jazz.
The greedy nobles look for gold.
Suddenly, Prospero notices the Figure in Red, whom he does not recognize. He forbade the maskers to wear red, and here is some dude who is interrupting his flow. He follows (with Francesca behind) the Figure to the Black Room. The Figure hints at cosmic knowledge and power that is beyond comprehension. Prospero believes this Figure is either Satan or his emissary, coming to "reward" him for his faithfulness to the Fallen Angel. "He does not rule...alone," states the Figure. He talks of death. As the clock strikes one, they enter the ballroom. Then begins one of the most memorable quotes in the film: "It is time for a new dance to begin...the Dance of Death."
Prospero (Vincent Price), the Figure in Red (John Westbrook), and Francesca (Jane Asher) at the masque.
As the Figure waves his hand, all the revelers become infected with the Red Death and die...but they continue to dance, the scene changing from a mad revelry to a grim Danse Macabre. Prospero does not seem to mind...in fact, he seems to smile. He is not affected by the death of the party, he believes that their souls have went to Hell - which, in any case, is not a good thing.
The Danse Macabre
Prospero believes he will have a high position in Hell and asks for Francesca to receive this same treatment. The Figure does not fully answer this question (he's mysterious, isn't he?) and tells her to go out to the battlements...
...where Gino is waiting. Booyah! Take that, Prospero! She ain't going to Hell with you, she's going straight up to Heaven with her lover you thought dead! Irony, I LOVE YOU!
Prospero says he is happy that Satan is proud. The Figure in Red is surprised and mentions the other God (the LORD).
Prospero: There is no other God! Satan killed him!
That is wrong, Prospero. I hate you so much for saying that. I hate you even more than before that is just blasphemy. Blasphemy, I say!
Prospero demands to see the face of the masker, who replies "There is no face of Death...until the moment of your own Death." The figure unmasks himself, and...
The bloodstained face of the Red Death (Vincent Price, voiced by John Westbrook).
Yes - the face of the Red Death is but Prospero's own face, covered with blood. It is horrific to Prospero, who flees through the still-dancing-yet-dead crowd. But wherever he goes, he finds that face staring upon him.
The Red Death opens his arms to Prospero.
The crowd starts to truly die, grasping the completely horrified Prospero.
Prospero fights his way through the crowd, who are in their death-agonies.
They fall to the ground, dead. He flees to the Black Room, but finds the Red Death there, still with his terrifying face.
The Red Death in the Black Room.
"Each man creates his own Heaven, and his own Hell," says the Red Death (with Price's face but with Westbrook's voice). "Your Hell, Prospero." Prospero dies in agony, blood streaming down his face in the red tinted light. His final thought most likely being "I was wrong. So terribly wrong..."
In the darkness of an old knoll tree, a Figure in Red sits. This was the very tree where an old woman was given a flower - a white rose dappled red with blood. The Figure is shuffling Tarot Cards in front of a girl - a girl who was spared the agonies of the crossbow by a cruel, sadistic Prince.
Behind the Figure in Red is a Figure in Black - the "brother" of the former. Several others, all in different colours, come. They speak of the lives they have claimed during the night. The Figure in Red says only six are left - a dwarf and a short dancer, a young woman and her lover, an old man in the village, and the girl in front of him. As they rise in a procession of death, he mutters "Sic transit gloria mundi," Latin for "thus passes the glory of the world." As they leave, words appear on the bottom of the screen...
"And Darkness, and Decay, and the Red Death held illimitable dominion over all."
-EDGAR ALLAN POE
Wow! I finally finished it! I am so proud of myself!
All in all, The Masque of the Red Death is a very good film. It, at many times, is truly disturbing. The film is the most horror movie-esque out of all Poe films - by that, I mean the darkest. It is certainly not for the faint of heart. I am dead serious. The screenwriting makes the film creepy enough. But then we add Price on top. This is definitely his most malevolent character. In Pit and the Pendulum (which I will be reviewing next!), we were given a crazed but sympathetic Price. In House of Usher, he is merely a miserable older brother trying to protect everyone. But him as Prince Prospero...here he is EVIL. There are no two ways about it. In this film, Vincent Price plays a character who is DEAD EVIL. I don't care what you say, he is EVIL EVIL EVIL! Price plays the role so well that it actually scares you. It is disturbingly realistic.
The poorest element in the film? David Lee's music. It isn't terrible, but we had greats from Ronald Stein (The Haunted Palace) and Les Baxter (every other Poe film before)! And after we'd have a chillingly elegant score from the wonderful Kenneth V. Jones. Masque of the Red Death has grandeur, more than any Poe film, but it flunks in the music. What a shame!
This is one of what I call the Holy Trinity of the Poe Cycle (the others being Pit and the Pendulum and House of Usher). I will review all of these. For fans of horror movies that are truly creepy, watch Masque of the Red Death. As you may or may not know, Red Death (in it's original short story form) is my favorite story by Poe. I am conflicted in terms of the films, but for now, this is certainly my favorite.
Definitely watch
Masque of the Red Death. You can buy it
here, with
The Premature Burial. This is has also been posted on my other blog,
Red Death Productions. Again, I am Brian O'Connell, and goodnight.
CAST
Vincent Price as Prince Prospero
Jane Asher as Francesca
Hazel Court as Juliana
John Westbrook as the Red Death
David Weston as Gino
Nigel Green as Ludovico
Patrick Magee as Alfredo
Skip Martin as Hop-Toad
Verina Greenlaw as Esmeralda